Vampire Lover

Dear Agent:

I’ve written an absolutely kickass vampire novel seething with life and color, fully loaded with contemporary sass and sharp historical detail.  The action spans centuries, connecting a young English mercenary duelist in 15th century Venice to a well-heeled and glamorous college professor novelist in present day San Francisco.  (HERE IT IS!)

This novel blends elements of horror-occult, crime noir, and romance into an absinthe- potent cocktail. It has humor, eroticism, dark bloodfeasting, duels, double-crosses, and bloody revenge. And love triumphs over all. But nobody will be able to anticipate the dazzling twist at the end.

Voila. Here is the pitch, followed by a brief synopsis:

Pitch

A vampire bestselling novelist who teaches Creative Writing in foggy San Francisco falls in love with one of his students — a young girl with a fatal blood disease he believes is the re-incarnation of his “first and last immortal lover.”

Synopsis

Vampire Damien Stark teaches Creative Writing in San Francisco. His novel Vampire Blood is on the bestseller lists. He is falling in love with one of his students, an alluring 19 year old girl named Naomi who has written her own rather intense story about being a vampire in 15th century Venice. Damien Stark recognizes in this story the voice of his first and last immortal vampire lover, the Contessa Claudia Rezzonico, who was staked by a vampire hunter in 1790.

Do vampires re-incarnate? In any case, Damien and Naomi quickly become lovers. Yet Damien, who has long since given up feeding on humans, does not drink Naomi’s blood. Nor does he reveal to her that he is undead. Meantime, Damien Stark’s novel has brought him fame and wealth, but it has also piqued the interest of some fanatical Mexican vampire hunters. Naomi’s father has hired private detectives to follow him everywhere.  And Naomi’s jealous best friend Gretchen sets out to seduce Damien via blackmail.

When Naomi, who suffers from fainting spells, is diagnosed with a fatal blood disease, Damien faces a shattering dilemma. Should he make Naomi into a vampire to save her life?

Additional Note

I started Vampire Lover as a keitai shosetsu — a “cell phone novel.” It was very popular with young Japanese women as I serialized it on a cell phone novel site. Actually, only the rave responses of “fans” on the MobaMingle site kept me writing at all. It’s important for writers to feel an audience connection. Later I went back and wrote the “historical flashback” sections featuring the young Henry Moore before he becomes a Vampire.

It is the morning of November 2, 1489, Feast of the Dead — i morti — in Venice and Henry Moore has just finished fighting a bloody duel. Sometime after tonight’s sunset he will meet the Contessa, his “first and last immortal lover.” Why not come along for the hellish but cathartic ride?

Sincerely,

 

 

Okamoto

Advertisements

The Blind Swordswoman

What is the strange allure of the swordswoman figure in martial arts novels and movies?

Is it all just pulp garishness? A prolonged adolescent erotic fantasy hangover?

Then why is the swordswoman figure — whether she is blind, tattooed, one-armed, or merely disgraced, outcast, suffering and abused — always so melancholy, so wounded, so tragic?

Listen to these painfully beautiful last lines intoned by a narrator at the end of CRIMSON BAT: THE BLIND SWORDSWOMAN (1969, aka BLIND OICHI STORY: RED BIRD OF FLIGHT): “Oichi went away on the cold wintery wind, carrying with her her sword-cane and a great deal of loneliness . . . her sightless eyes filled with tears.”

As for me, I wrote my novel OSAI’S RAZOR (here it is in the Kindle format) to tell the story of a swordswoman in old Japan whose life was almost unbearably harsh. Osai Itto’s story came to me in great, blazing and silent images. I found it, and her, irresistible.

And I wrote the final sentence blinded by tears.

AKIKO’S FURY

Deadly “Akiko” retires from killing to restore a Zen temple on a remote island off Japan. But violent people won’t let her alone.

THE LONELINESS OF THE BLUE-EYED ASSASSIN (originally titled AKIKO’S FURY) is the first in a planned series of crime thrillers dealing with the life of a half-Japanese half-American young woman who also happens to be a highly paid assassin code-named Akiko.

Born in Okinawa to a heroin-addicted American ex-Marine and a Japanese bar girl, the blue-eyed, black-haired Molly Vance grew up in San Francisco until age nine, when her father died mysteriously. She was then brought to Tokyo and raised by her father’s friend, a yakuza gangster.

As a teenager, she was trained in martial arts by the head of an ancient cult of tattooed female assassins called the Habu Kurage, or Medusas. Following her adopted father’s death in a yakuza war, Molly went on a bloody rampage, destroying the entire rival yakuza clan.

Still later, after more intensive training by the head of the Medusas, she began working worldwide for a shadowy group known only as the Organization, and quickly gained renown as the deadliest woman alive.

But, after glimpsing an underlying pattern and suddenly realizing the Organization’s motives behind the “hits” she is assigned, Akiko risks it all to help one of her targets escape.

She then disappears from view, going to live in an abandoned mountain temple on a remote island off the coast of Japan.

Both the Organization and the Medusas are now determined to find Akiko — and kill her. Even worse, they have found a way to get to Molly through people in her past. To save their lives and her own, she must unleash all her fury.

***

In this novel Molly Vance, living under a false name, is busy restoring the ruined Zen temple as a way of purging her dark karma. At the same time she is falling in love with the remote island’s only policeman, a young man named Jiro Takagi, whom she begins to train in the sword.

One day she gets a letter from her adopted father’s former mistress. The woman’s teenaged daughter was kidnapped by Chinese gangsters on a trip to San Francisco and is being forced to work as a prostitute in a sleazy massage parlor.

Akiko travels to San Francisco to get the girl back and soon finds herself fighting for her life against a hired kung fu master. Though Akiko survives almost unscathed, retrieves the girl and returns to her island, the head of the Medusas has now gotten word of her whereabouts, and sends assassins.

After Takagi is badly hurt trying to save her life, Akiko realizes that she cannot run away any longer — that she must face her former teacher in a combat to the death.

“Akiko” is like a female Jason Bourne, James Bond, or Nicolai Hel (the reluctant assassin hero of Trevanian’s SHIBUMI). Each novel in the series is fast paced, cleanly written, and structured as cleanly as a Simenon mystery or an Ian Fleming Bond novel.

Though Akiko is the central character we get immersed in many other characters, places and situations, so each novel has its own mood and “feel,” and stands on its own.

This opening novel gives us Akiko’s painful backstory, shows her fighting like a fury to save her friends, and at the end launches her on a completely unexpected path.

***

A damaged but appealing protagonist whom I hope everybody will want to cheer on as she fights impossible odds using only her finely honed skills and wits, plenty of sharp martial arts action reminiscent of samurai and yakuza movies (including Tarantino’s KILL BILL 1 and 2 and just about anything by Takashi Mike), exotic settings, and strong, evocative, sensual writing. That’s about it.

Enjoy reading!

Mexican Killing Ballads

MEXICAN KILLING BALLADS by Okamoto is available as a shocking and beautifully crafted little e-book from Amazon/Kindle.

How can you decide if you want to read this dark, gory, poetic and rather crazy little book of stories and micro-stories?

Do you like violence and mayhem told in a morose, sensitive, melancholy and lyrical way?

This despairing little book contains a “planed-down-to-bareness” story that is one of my own personal favorites of all I’ve written over the years: “The Coffin Maker’s Son.”

Allan Guthrie was my agent for a few years and tried valiantly to sell my novels OSAI’S RAZOR and THE LONELINESS OF THE BLUE-EYED ASSASSIN.

He’s also a fine crime writer, given to terse descriptions of gritty and dark Grand Guignol violence. As in his novel: SLAMMER.

Allan Guthrie is rather adamant that no character in a noir novel should be sympathetic.  He himself pulls this off brilliantly, somewhat like James M. Cain but with buckets rather than squibs of blood.

My own feelings are somewhat different. If I can’t sympathize with its protagonist, a book usually doesn’t cut very deep. Avoiding empathy, one risks writing what amount to mere manifestos of gore and academic exercises in mayhem.

I want to put you there and make you feel the action in a hair-raising way. This includes the risk of falling in love with a character who might be ill-fated, even doomed.